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Bahman Ghobadi
From Wikipedia,
Bahman Ghobadi at a press conference at the San Sebastián Film Festival 2006
Bahman Ghobadi (Kurdish: بههمهنی قوبادی, Persian: بهمن قبادی ) is a Kurdish Iranian film director. He was born on February 1, 1969 in Baneh, Kurdistan, Iran. Ghobadi belongs to the so called "new wave" of Iranian cinema.[1][2]
| Date of Birth:
Awards:
38 wins
&
4 nominations
more
- Niwemang (2006)
... aka Half Moon (Canada: English title: festival title) - Lakposhtha hâm parvaz mikonand (2004)
... aka Tortues volent aussi, Les (France: DVD title) ... aka Turtles Can Fly (International: English title) - Daf (2003)
- Gomgashtei dar Aragh (2002)
... aka Marooned in Iraq (International: English title) ... aka Songs of My Motherland (International: English title) - Zamani barayé masti asbha (2000)
... aka A Time for Drunken Horses (International: English title) ... aka Intoxication for Horses (International: English title: informal title)
- Zendegi dar meh (1999)
... aka Life in Fog
- Niwemang (2006)
... aka Half Moon (Canada: English title: festival title) - Lakposhtha hâm parvaz mikonand (2004)
... aka Tortues volent aussi, Les (France: DVD title) ... aka Turtles Can Fly (International: English title) - Daf (2003)
- Gomgashtei dar Aragh (2002)
... aka Marooned in Iraq (International: English title) ... aka Songs of My Motherland (International: English title) - Zamani barayé masti asbha (2000)
... aka A Time for Drunken Horses (International: English title) ... aka Intoxication for Horses (International: English title: informal title)
- Niwemang (2006) (producer)
... aka Half Moon (Canada: English title: festival title) - Lakposhtha hâm parvaz mikonand (2004) (producer)
... aka Tortues volent aussi, Les (France: DVD title) ... aka Turtles Can Fly (International: English title) - Gomgashtei dar Aragh (2002) (producer)
... aka Marooned in Iraq (International: English title) ... aka Songs of My Motherland (International: English title) - Zamani barayé masti asbha (2000) (producer)
... aka A Time for Drunken Horses (International: English title) ... aka Intoxication for Horses (International: English title: informal title)
- Niwemang (2006)
... aka Half Moon (Canada: English title: festival title) - Zamani barayé masti asbha (2000)
... aka A Time for Drunken Horses (International: English title) ... aka Intoxication for Horses (International: English title: informal title)
- Takhté siah (2000) .... Reeboir
... aka Blackboards (USA) ... aka Lavagne (Italy) ... aka The Blackboard (International: English title)
- Bad ma ra khahad bord (1999)
... aka The Wind Will Carry Us (Canada: English title) (USA) ... aka Vent nous emportera, Le (France)
- Bad ma ra khahad bord (1999) (assistant director)
... aka The Wind Will Carry Us (Canada: English title) (USA) ... aka Vent nous emportera, Le (France)
- San Sebastián 2006: Crónica de Carlos Boyero (2006) (TV) .... Himself
- Iran: une révolution cinématographique, L' (2006) (TV) .... Himself
... aka Iran: A Cinematographic Revolution (International: English title)
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Interview with Bahman Ghobadi
David Stratton talks to Bahman Ghobadi about his latest film TURTLES CAN FLY. (Complete and Un-Cut version).
This film, its directing, actors, production is all from Iraq.
Everything was from Iraq except my cinematographer and sound engineer
and their equipment. Everything else was from Iraq.
When I
visited Iraq two weeks after the fall of Saddam, I had a small camera
with me and could shoot some scenes. When I got back and looked at the
film I saw that a number of children, full of energy, were in that
film. Those children inspired me to go back with a professional camera,
a 35 mm camera and a small group. We went illegally because they
wouldn’t let us in. (more) |
An Interview with Bahman Ghobadi, Director of Turtles Can Fly
Bahman
Ghobadi was born in 1969 in Baneh, in Iranian Kurdistan. While he was a
student, he worked for a radio station and went on to join a Sanandaj
group of amateur filmmakers who helped him direct his first short
films. He then relocated to Tehran to attend film classes at the
university but he dropped out before graduating. Between 1995 and 1999,
he directed ten or so short films, which garnered many awards in
several national and international festivals. (More)
Bahman Ghobadi, director of Turtles Can Fly
• Read a review of Turtles Can Fly
• Read a review of A Time for Drunken Horses
• Read a review of Marooned in Iraq
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Bahman Ghobadi
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"I have come here just now, to sit with you. I am sitting, I’m relaxed.
But really, I can’t relax. All I can do is run. That’s all I know how
to do. From the time I was little, I’ve run. That’s what I do." It’s
early April, 2003 and the speaker is Kurdish filmmaker Bahman Ghobadi.
And though he’s comfortably sprawled out in a chair on the breakfast
patio at West Hollywood’s Bel Age Hotel, it’s easy to believe him.
Belying his posture and quiet voice are his eyes. Whatever their true
color, when he reaches a point of intensity in the conversation — which
is to say, every couple of minutes — they turn the color of onyx.(More) |
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From the "Movies" Archives:
Message in a Bottle: Bahman Ghobadi's "Turtles Can Fly"
by Michael Koresky, with responses from Erik Syngle and Neal Block
Avaz Latif in the film "Turtles Can Fly," directed by Bahman Ghobadi. Image courtesy IFC Films.
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[ indieWIRE's weekly reviews are written by critics from Reverse Shot. ]
The information surplus that over-emphasizes each gesture and facet
of our Western culture -- the constant stream of news bulletins, minor
incidents all tied up with large-scale catastrophes -- keeps us at once
connected and sanitized. Our miasma of sound and image greatly drowns
out those that live largely without this manufactured sensory overload.
The gap between how much we see and hear and how much we actually
absorb must be vast. (More)
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Bahman Ghobadi and the Pain of Giving Birth to Kurdish CinemaBy: Chris KutscheraAlthough
always smiling or laughing, Bahman Ghobadi is not a happy
man.The reason he is not happy is because as a film director
in a country where his industry is still stuttering, he
must take responsability for the entire process of every
aspect of film making. He must find funding and take responsability
for casting, while also working as producer. But before
any of these tasks are undertaken, he must first write
the screenplay and obtain permission from the Iranian
authorities to shoot the film . He directs the actors
-- almost all of them amateurs. And he organises and orchestrates
distribution of the film. "All this takes 95 per
cent of my time. It is a big headache. I have only 5 per
cent left for creation", complains Bahman Ghobadi
during a discussion at a Kurdish Film Festival, held in
Douarnenez, in Brittany, in western France. "Every
time I start a new film, I have so many problems that
I re-write my last will and testament after shooting the
first scene", he says, half seriously. (More)
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At the recent Toronto film festival, David Walsh spoke to
Bahman Ghobadi through an interpreter.
David Walsh: There are people who think that art should or
must be silent in the face of great human tragedy. This is obviously
not your view.
Bahman Ghobadi: What can I say?
I went to Iraq two weeks after the war to screen Marooned in
Iraq, which was being screened in that war atmosphere, in
Baghdad.
I took a small camcorder with me. I came back and I reviewed
the footage. Somehow the children grabbed me and forced me to
go, and I heard this voice telling me, you must go to Iraq, you
must say something.
The film was made under very difficult and taxing conditions.
It’s one thing if someone goes and makes (More)
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Pictures:
http://vokradio.com/Gallery/Bahman_Ghobadi
Niwemang
Austria , France , Iran , Iraq, 113 min
In Kurdish and Persian with English subtitles
Directed By: Bahman Ghobadi
Writer: Bahman Ghobadi
Producer: Bahman Ghobadi
Cinematographers: Nigel Bluck, Crighton Bone
Editor: Heyedeh Safiyari
Music: Hossein Alizadeh
Cast: Ismail Ghaffari, Allah Morad Rashtiani, Hedieh Tehrani, Golshifteh Farahani, Hassan Poorshirazi,
Comedy and tragedy are deftly juggled in Bahman Ghobadi’s stirring
tribute to the long-suppressed cultural traditions of Kurdistan. A
legendary Iranian-Kurdish musician (Ismail Ghaffari) assembles his many
instrument-wielding sons — as well as a mysterious female singer — for
a dangerous road trip into Iraq where they have been invited to play a
concert celebrating the fall of Saddam Hussein. Shot on location
against the harshly beautiful landscapes of the Iran-Iraq border,
Ghobadi’s life-affirming film, inspired by the Requiem, mixes political
critique with side-splitting farce and inflects neorealistic style with
visionary flourishes.
INTERVIEW WITH BAHMAN GHOBADI. Exclusive for PFC.
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