Film


Bahman Ghobadi                                                      


Bahman Ghobadi

From Wikipedia,


Bahman Ghobadi at a press conference at the San Sebastián Film Festival 2006
Bahman Ghobadi at a press conference at the San Sebastián Film Festival 2006

Bahman Ghobadi (Kurdish: به‌همه‌نی قوبادی, Persian: بهمن قبادی ) is a Kurdish Iranian film director. He was born on February 1, 1969 in Baneh, Kurdistan, Iran. Ghobadi belongs to the so called "new wave" of Iranian cinema.[1][2]

More
Date of Birth:
Awards:
38 wins & 4 nominations more

Filmography
Director:
  1. Niwemang (2006)
    ... aka Half Moon (Canada: English title: festival title)
  2. Lakposhtha hâm parvaz mikonand (2004)
    ... aka Tortues volent aussi, Les (France: DVD title)
    ... aka Turtles Can Fly (International: English title)
  3. Daf (2003)
  4. Gomgashtei dar Aragh (2002)
    ... aka Marooned in Iraq (International: English title)
    ... aka Songs of My Motherland (International: English title)
  5. Zamani barayé masti asbha (2000)
    ... aka A Time for Drunken Horses (International: English title)
    ... aka Intoxication for Horses (International: English title: informal title)

  6. Zendegi dar meh (1999)
    ... aka Life in Fog
Writer:
  1. Niwemang (2006)
    ... aka Half Moon (Canada: English title: festival title)
  2. Lakposhtha hâm parvaz mikonand (2004)
    ... aka Tortues volent aussi, Les (France: DVD title)
    ... aka Turtles Can Fly (International: English title)
  3. Daf (2003)
  4. Gomgashtei dar Aragh (2002)
    ... aka Marooned in Iraq (International: English title)
    ... aka Songs of My Motherland (International: English title)
  5. Zamani barayé masti asbha (2000)
    ... aka A Time for Drunken Horses (International: English title)
    ... aka Intoxication for Horses (International: English title: informal title)
Producer:
  1. Niwemang (2006) (producer)
    ... aka Half Moon (Canada: English title: festival title)
  2. Lakposhtha hâm parvaz mikonand (2004) (producer)
    ... aka Tortues volent aussi, Les (France: DVD title)
    ... aka Turtles Can Fly (International: English title)
  3. Gomgashtei dar Aragh (2002) (producer)
    ... aka Marooned in Iraq (International: English title)
    ... aka Songs of My Motherland (International: English title)
  4. Zamani barayé masti asbha (2000) (producer)
    ... aka A Time for Drunken Horses (International: English title)
    ... aka Intoxication for Horses (International: English title: informal title)
Art Director:
  1. Niwemang (2006)
    ... aka Half Moon (Canada: English title: festival title)
  2. Zamani barayé masti asbha (2000)
    ... aka A Time for Drunken Horses (International: English title)
    ... aka Intoxication for Horses (International: English title: informal title)
Actor:
  1. Takhté siah (2000) .... Reeboir
    ... aka Blackboards (USA)
    ... aka Lavagne (Italy)
    ... aka The Blackboard (International: English title)

  2. Bad ma ra khahad bord (1999)
    ... aka The Wind Will Carry Us (Canada: English title) (USA)
    ... aka Vent nous emportera, Le (France)
Production Designer:
  1. Lakposhtha hâm parvaz mikonand (2004)
    ... aka Tortues volent aussi, Les (France: DVD title)
    ... aka Turtles Can Fly (International: English title)
Second Unit Director or Assistant Director:
  1. Bad ma ra khahad bord (1999) (assistant director)
    ... aka The Wind Will Carry Us (Canada: English title) (USA)
    ... aka Vent nous emportera, Le (France)
Self:
  1. San Sebastián 2006: Crónica de Carlos Boyero (2006) (TV) .... Himself
  2. Iran: une révolution cinématographique, L' (2006) (TV) .... Himself
    ... aka Iran: A Cinematographic Revolution (International: English title)







David Stratton talks to Bahman Ghobadi about Turtles Can Fly.

Interview with Bahman Ghobadi

David Stratton talks to Bahman Ghobadi about his latest film TURTLES CAN FLY. (Complete and Un-Cut version).

Interview with Bahman Ghobadi (Requires RealPlayer):

This film, its directing, actors, production is all from Iraq. Everything was from Iraq except my cinematographer and sound engineer and their equipment. Everything else was from Iraq.

When I visited Iraq two weeks after the fall of Saddam, I had a small camera with me and could shoot some scenes. When I got back and looked at the film I saw that a number of children, full of energy, were in that film. Those children inspired me to go back with a professional camera, a 35 mm camera and a small group. We went illegally because they wouldn’t let us in. (more)

An Interview with Bahman Ghobadi, Director of Turtles Can Fly

Bahman Ghobadi was born in 1969 in Baneh, in Iranian Kurdistan. While he was a student, he worked for a radio station and went on to join a Sanandaj group of amateur filmmakers who helped him direct his first short films. He then relocated to Tehran to attend film classes at the university but he dropped out before graduating. Between 1995 and 1999, he directed ten or so short films, which garnered many awards in several national and international festivals. (More)

Bahman Ghobadi
Bahman Ghobadi, director of Turtles Can Fly

• Read a review of Turtles Can Fly
• Read a review of A Time for Drunken Horses
• Read a review of Marooned in Iraq

Bahman Ghobadi
film reviews
Poster      "I have come here just now, to sit with you. I am sitting, I’m relaxed. But really, I can’t relax. All I can do is run. That’s all I know how to do. From the time I was little, I’ve run. That’s what I do."

     It’s early April, 2003 and the speaker is Kurdish filmmaker Bahman Ghobadi. And though he’s comfortably sprawled out in a chair on the breakfast patio at West Hollywood’s Bel Age Hotel, it’s easy to believe him. Belying his posture and quiet voice are his eyes. Whatever their true color, when he reaches a point of intensity in the conversation — which is to say, every couple of minutes — they turn the color of onyx.(More)


From the "Movies" Archives:

Message in a Bottle: Bahman Ghobadi's "Turtles Can Fly"

by Michael Koresky, with responses from Erik Syngle and Neal Block


Avaz Latif in the film "Turtles Can Fly," directed by Bahman Ghobadi. Image courtesy IFC Films.

[ indieWIRE's weekly reviews are written by critics from Reverse Shot. ]

The information surplus that over-emphasizes each gesture and facet of our Western culture -- the constant stream of news bulletins, minor incidents all tied up with large-scale catastrophes -- keeps us at once connected and sanitized. Our miasma of sound and image greatly drowns out those that live largely without this manufactured sensory overload. The gap between how much we see and hear and how much we actually absorb must be vast. (More)

Bahman Ghobadi

Bahman Ghobadi and the Pain of Giving Birth to Kurdish Cinema

By: Chris Kutschera

Although always smiling or laughing, Bahman Ghobadi is not a happy man.The reason he is not happy is because as a film director in a country where his industry is still stuttering, he must take responsability for the entire process of every aspect of film making. He must find funding and take responsability for casting, while also working as producer. But before any of these tasks are undertaken, he must first write the screenplay and obtain permission from the Iranian authorities to shoot the film . He directs the actors -- almost all of them amateurs. And he organises and orchestrates distribution of the film. "All this takes 95 per cent of my time. It is a big headache. I have only 5 per cent left for creation", complains Bahman Ghobadi during a discussion at a Kurdish Film Festival, held in Douarnenez, in Brittany, in western France. "Every time I start a new film, I have so many problems that I re-write my last will and testament after shooting the first scene", he says, half seriously. (More)


At the recent Toronto film festival, David Walsh spoke to Bahman Ghobadi through an interpreter.

David Walsh: There are people who think that art should or must be silent in the face of great human tragedy. This is obviously not your view.

Bahman Ghobadi: What can I say? I went to Iraq two weeks after the war to screen Marooned in Iraq, which was being screened in that war atmosphere, in Baghdad.

I took a small camcorder with me. I came back and I reviewed the footage. Somehow the children grabbed me and forced me to go, and I heard this voice telling me, you must go to Iraq, you must say something.

The film was made under very difficult and taxing conditions. It’s one thing if someone goes and makes (More)

Pictures:

http://vokradio.com/Gallery/Bahman_Ghobadi


Niwemang

Austria , France , Iran , Iraq, 113 min
In Kurdish and Persian with English subtitles

Directed By: Bahman Ghobadi
Writer: Bahman Ghobadi
Producer: Bahman Ghobadi
Cinematographers: Nigel Bluck, Crighton Bone
Editor: Heyedeh Safiyari
Music: Hossein Alizadeh
Cast: Ismail Ghaffari, Allah Morad Rashtiani, Hedieh Tehrani, Golshifteh Farahani, Hassan Poorshirazi,

Comedy and tragedy are deftly juggled in Bahman Ghobadi’s stirring tribute to the long-suppressed cultural traditions of Kurdistan. A legendary Iranian-Kurdish musician (Ismail Ghaffari) assembles his many instrument-wielding sons — as well as a mysterious female singer — for a dangerous road trip into Iraq where they have been invited to play a concert celebrating the fall of Saddam Hussein. Shot on location against the harshly beautiful landscapes of the Iran-Iraq border, Ghobadi’s life-affirming film, inspired by the Requiem, mixes political critique with side-splitting farce and inflects neorealistic style with visionary flourishes.


INTERVIEW WITH BAHMAN GHOBADI. Exclusive for PFC.